{"id":3417,"date":"2021-10-21T03:02:37","date_gmt":"2021-10-21T03:02:37","guid":{"rendered":"https:\/\/2021.animanima.org\/the-best-of-opla21-focus-on-poland\/"},"modified":"2021-10-21T03:02:37","modified_gmt":"2021-10-21T03:02:37","slug":"the-best-of-opla21-focus-on-poland","status":"publish","type":"page","link":"https:\/\/2021.animanima.org\/en\/the-best-of-opla21-focus-on-poland\/","title":{"rendered":"THE BEST OF O!PLA’21 – FOCUS ON POLAND"},"content":{"rendered":"\t\t
Duration<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
THE BEST OF O!PLA’21 – FOCUS ON POLAND is a unique program presenting the winners of the 9thO!PLA Animation Festival (2021). As always the only Jury at O!PLA was the audience. THE BEST OFO!PLA’21 is an amazing mix of techniques, styles, and emotions showing what in modern Polishanimation (O!PLA means \u201eOh! Polish Animation\u201d, but also: \u201cOh! People Love Animation\u201d) is thebest. Starting off 2013 O!PLA consequently grows in strength, but one thing remains the same – independence and passion, which standing behind the O!PLA.<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t THE BEST OF O!PLA’21FOCUS ON POLAND Duration 68 min THE BEST OF O!PLA’21 – FOCUS ON POLAND THE BEST OF O!PLA’21 – FOCUS ON POLAND is a unique program presenting the winners of the 9thO!PLA Animation Festival (2021). As always the only Jury at O!PLA was the audience. THE BEST OFO!PLA’21 is an amazing mix …<\/p>\nDirector: Kamil W\u00f3jcik<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Psotnik In The Glass Trap<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
Director: Zuzanna Rogala<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Skull<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
Director: Amelia Baj<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Buddies<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
Director: Kasia Zimnoch, Pawe\u0142 Kleszczewski<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Story About Why Devil Limps<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
Director: Szymon Ruczy\u0144ski<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Reason<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
Director: Agata Szwarc<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Pathological Seamstress \u2013 Bad Day<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
Director: Kamil W\u00f3jcik<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Delinsky\u2019s Madness<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
Director: Ewa Maria Wolska<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
My Dear Quarantine<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
Director: Katarzyna Or\u0142owska<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Blue Monday<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
Director: Martyna Koleniec<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Hidden \u2013 Hidden Beams<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
Director: Robert Ku\u017aniewski<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Subway<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
Director: Nawojka Wierzbowska<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
The Wicked Never Rests<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
Director: Dominika Wilkosz<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
The Elephant<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
Director: Artur Hanaj<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Three Jumps To Happiness<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
Director: Filip Szuksztul<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Green Tree<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t