{"id":1643,"date":"2021-08-30T18:25:43","date_gmt":"2021-08-30T18:25:43","guid":{"rendered":"https:\/\/2021.animanima.org\/home\/"},"modified":"2021-10-23T01:46:27","modified_gmt":"2021-10-23T01:46:27","slug":"home","status":"publish","type":"page","link":"https:\/\/2021.animanima.org\/en\/","title":{"rendered":"Home"},"content":{"rendered":"\t\t
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2021, November, 4-6th\n<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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ANIMANIMA 2021\nonline edition\n<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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> watch the festival video<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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How to watch?<\/a><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Screenings<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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STASH: State of (im)balance<\/a><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The entropy of the modern world, the eternal pursuit of balance and the occasional slippage<\/a><\/span><\/h4><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Animanima.DOCS<\/a><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The boundary between the factual world and its reflection in our consciousness<\/a><\/span><\/h4><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Highlights<\/span><\/h4>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A new film by Franck Dion
\nUNDER THE SKIN, THE BARK<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Only in UNDER THE SKIN: THE PATH TO HIDDEN PLACES
The mechanism of the unusual is triggered by our sighs!<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Animanima Talks<\/h4>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Participants<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\"\"\n\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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Milo\u0161 Tomi\u0107<\/h3>\n\t\t\t\t

(Slovenia, Serbia)<\/h4>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t

Making of: My father's damn camera!<\/p>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\"\"\n\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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Coke Riob\u00f3o<\/h3>\n\t\t\t\t

(Spain)<\/h4>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t

Making Of: Mad In Xpain<\/p>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\"\"\n\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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Lea Vidakovi\u0107<\/h3>\n\t\t\t\t

(Serbia)<\/h4>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t

Spatial storytelling and puppet animation<\/p>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\"\"\n\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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Isaac King<\/h3>\n\t\t\t\t

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Making Of: Whatever Tree<\/p>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\"\"\n\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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Sava \u017divkovi\u0107<\/h3>\n\t\t\t\t

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Making Of: Irradiation<\/p>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\tRead More<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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News<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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<\/i><\/a><\/div>
\n \"\"\n <\/div>\n <\/div>

Interesting authors, interesting subjects<\/a><\/h2><\/header>
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Animanima TALKS<\/p><\/div>\n <\/div>